HAMLET E OS JOGOS DE CENA

Abstract

The purpose of this text is to think about processes of assembling and reassembling works like Shakespeare's Hamlet, analyzing the edge spaces that reverberate experiences from the outside. The aim, therefore, is to think about how the pre-dramatic and extra-dramatic elements, circumscribed in the latent spaces in the assemblies of this work, in their absence or displacement, fracture the idea of ​​representation. Thinking about the concept of creation by looking at elements outside the scene, therefore, presupposes analyzing how reassembly enhances expansions of meanings, observing elements, previously conceived as rehearsals, aisles, preparations, noises, pre-texts, or even post-texts, in the contemporary scene, are incorporated into the scenic act, dismantling the idea of ​​representation.