A DESCONSTRUÇÃO SONORA E O TECIDO SÔNICO NO AUDIOVISUAL

Abstract

This essay is part of a doctoral research on sonic tissue in audiovisuals. Here, we intend to carry out a brief historical approach to the use of technical means of sound production and reproduction as well as their application in the development of an audiovisual sonic narrative. We will also bring a survey on morphological aspects from the deconstruction of the musical soundtrack using Derridean deconstruction method and Barthes' structural analysis, and then identify the sonic ensemble that forms the sonic tissue of the audiovisual work. This survey on morphological aspects will be accompanied by an examination of the role of listening as a research object from the perspectives of phenomenology and the concepts of sound object (Schaeffer) and sound event (Schafer).